"example"

#13892400

27 Jun 2026

The Basilica di San Marco (St Mark's Basilica) is seen at sunset in Piazza San Marco (St Mark's Square) on April 5, 2026, in Venice, Italy. Pigeons fly around the basilica facade and tourists fill the square below. The basilica, originally built in the 9th century and rebuilt in the 11th century, is one of the finest examples of Italo-Byzantine architecture in the world.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814342

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814344

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814345

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814346

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814347

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814348

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814354

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814355

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814359

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13814361

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13784734

4 Jun 2026

St Andrew's Church, an 18th-century structure designed by Italian architect Bartolomeo Rastrelli, is a rare example of Ukrainian Baroque in Kyiv, Ukraine, on May 30, 2026. The Ukrainian capital marks Kyiv Day every last Sunday in May. This year, the celebration takes place under martial law for the fifth consecutive year.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13784738

4 Jun 2026

St Andrew's Church, an 18th-century structure designed by Italian architect Bartolomeo Rastrelli, is a rare example of Ukrainian Baroque in Kyiv, Ukraine, on May 30, 2026. The Ukrainian capital marks Kyiv Day every last Sunday in May. This year, the celebration takes place under martial law for the fifth consecutive year.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13773978

1 Jun 2026

A view from the Pontifical University of Sobrellano Palace, a notable example of Modernism, next to the pantheon chapel where the Marquis and his family are buried, in Comillas, Cantabria, Spain. Comillas is known for its medieval and Baroque buildings and is one of the few places outside Catalonia where Modernist artists worked.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13771542

1 Jun 2026

A view of the Tobolsk Kremlin, the only stone kremlin in Siberia and a unique example of Siberian architecture, in the city of Tobolsk, Tyumen Region, Russia, on July 28, 2022.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#13771543

1 Jun 2026

A view of the Tobolsk Kremlin, the only stone kremlin in Siberia and a unique example of Siberian architecture, in the city of Tobolsk, Tyumen Region, Russia, on July 28, 2022.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.