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"British colonization"
27 professional editorial images found
Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138874
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138875
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member stands among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138876
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Queen Victoria”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138861
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member stands among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138862
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: Tamsin Hong, exhibitions curator, looks at "Wind Sculpture in Bronze, IV, 2024, during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138864
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138865
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138866
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A visitor takes a picture of new large-scale installation titled “War Library” (2024) consisting of 5,000 books bound in Dutch wax print representing conflicts and peace treaties during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138868
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at a new large-scale installation titled “War Library” (2024) consisting of 5,000 books bound in Dutch wax print representing conflicts and peace treaties during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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Yinka Shonibare's "Suspended States" Exhibition At Serpentine South In London
11 April 2024
#11138860
11 April 2024
LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.
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#8752220
31 August 2022
Mural depicting the founding of Sandwich Towne in Windsor, Ontario, Canada. Sandwich Towne was first settled in 1749 as a French agricultural settlement, making it the oldest continually inhabited settlement in Canada west of Montreal. Many buildings and houses date to the mid-19th century. This neighbourhood was also the site of one of the major battles during the War of 1812, and the Windsor Rebellion of 1837, and as a battlefront of the Patriot War later in 1837.
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