"dance elements"

#12826602

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826603

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826604

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826605

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826606

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#12826607

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.

#12826608

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

Restricted to Editorial Use Only.
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#12826609

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

Restricted to Editorial Use Only.
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#12826610

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12664448

21 August 2025

Dipankar Buddha dances in front of the Dattatraya Temple of Bhaktapur, Nepal, on August 21, 2025, observing the Panchadan, the festival of five summer gifts. Observed annually on Triodashi, two days prior to the Kushe Aunsi or Father's Day according to the lunar calendar, this Buddhist festival sees Dipankar Buddha dancing and touring around the city. In this Buddhist festival, gifts are made by the laity to the monks. Buddhist antiques are displayed, and gigantic effigies of Dipankar are paraded around the town. Since monastic Buddhism has long been extinct in Nepal, the receivers of the gifts today are the Buddhist priests, the Shakyas, and the Vajracharyas, who go begging to the houses of their clients. However, the main highlight of the festival is the giving away of five elements: wheat grains, rice grains, salt, money, and fruit. Traditional collections of artifacts are displayed in monasteries and households on this occasion. On this day, people donate rice, money, and other items based on their capacity.

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#12664449

21 August 2025

Dipankar Buddha dances in front of the Dattatraya Temple of Bhaktapur, Nepal, on August 21, 2025, observing the Panchadan, the festival of five summer gifts. Observed annually on Triodashi, two days prior to the Kushe Aunsi or Father's Day according to the lunar calendar, this Buddhist festival sees Dipankar Buddha dancing and touring around the city. In this Buddhist festival, gifts are made by the laity to the monks. Buddhist antiques are displayed, and gigantic effigies of Dipankar are paraded around the town. Since monastic Buddhism has long been extinct in Nepal, the receivers of the gifts today are the Buddhist priests, the Shakyas, and the Vajracharyas, who go begging to the houses of their clients. However, the main highlight of the festival is the giving away of five elements: wheat grains, rice grains, salt, money, and fruit. Traditional collections of artifacts are displayed in monasteries and households on this occasion. On this day, people donate rice, money, and other items based on their capacity.

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#12575387

23 July 2025

CALGARY, CANADA - JULY 12: A general view of the the First Nation's Elbow River Camp seen during the 2025 edition of the Calgary Stampede, in Calgary, Alberta, Canada, on July 12, 2025. During each Stampede, the five nations of Treaty 7--the Tsuu T'ina, Piikani, Stoney, Kainai, and Siksika--set up the Elbow River Camp along the riverbank in Stampede Park's southern section, where they erect tipis, host powwows, display traditional arts and crafts, offer cultural demonstrations, and share Indigenous foods, creating an immersive experience that honors their heritage and engages visitors with authentic elements of their traditional lifestyle.

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#12575391

23 July 2025

CALGARY, CANADA - JULY 12: A general view of the the First Nation's Elbow River Camp seen during the 2025 edition of the Calgary Stampede, in Calgary, Alberta, Canada, on July 12, 2025. During each Stampede, the five nations of Treaty 7--the Tsuu T'ina, Piikani, Stoney, Kainai, and Siksika--set up the Elbow River Camp along the riverbank in Stampede Park's southern section, where they erect tipis, host powwows, display traditional arts and crafts, offer cultural demonstrations, and share Indigenous foods, creating an immersive experience that honors their heritage and engages visitors with authentic elements of their traditional lifestyle.

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#12575394

23 July 2025

CALGARY, CANADA - JULY 12: A general view of the the First Nation's Elbow River Camp seen during the 2025 edition of the Calgary Stampede, in Calgary, Alberta, Canada, on July 12, 2025. During each Stampede, the five nations of Treaty 7--the Tsuu T'ina, Piikani, Stoney, Kainai, and Siksika--set up the Elbow River Camp along the riverbank in Stampede Park's southern section, where they erect tipis, host powwows, display traditional arts and crafts, offer cultural demonstrations, and share Indigenous foods, creating an immersive experience that honors their heritage and engages visitors with authentic elements of their traditional lifestyle.

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#12575380

23 July 2025

CALGARY, CANADA - JULY 12: A general view of the the First Nation's Elbow River Camp seen during the 2025 edition of the Calgary Stampede, in Calgary, Alberta, Canada, on July 12, 2025. During each Stampede, the five nations of Treaty 7--the Tsuu T'ina, Piikani, Stoney, Kainai, and Siksika--set up the Elbow River Camp along the riverbank in Stampede Park's southern section, where they erect tipis, host powwows, display traditional arts and crafts, offer cultural demonstrations, and share Indigenous foods, creating an immersive experience that honors their heritage and engages visitors with authentic elements of their traditional lifestyle.

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#12529829

5 July 2025

A devotee chants during the Agemo Festival in Mosan, Ijebu-Ode, Ogun State, Nigeria, on July 2, 2025. The Agemo Festival is a significant indigenous religious festival among the Ijebu people of Western Nigeria, held between July and August to showcase rich cultural elements such as storytelling, dance, music, and elaborate costumes. The festival and accompanying rituals are celebrated to honor the spirit deity Agemo, who is believed to be a protector of children and who safeguards the Ijebus' future through its blessing.

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