"workroom"

#1043289

9 February 2016

Archeology Nafez Abed cleans sculptures at his workroom, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real. Picture taken .

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#1043290

9 February 2016

Archeology Nafez Abed cleans sculptures at his workroom, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real. Picture taken .

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#1043291

9 February 2016

Archeology Nafez Abed cleans sculptures at his workroom, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real. Picture taken .

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#1043292

9 February 2016

Archeology Nafez Abed cleans sculptures at his workroom, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real. Picture taken .

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#1043294

9 February 2016

Archeology Nafez Abed cleans sculptures at his workroom, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real. Picture taken .

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#1043295

9 February 2016

Archeology Nafez Abed cleans sculptures at his workroom, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real. Picture taken .

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#1043278

9 February 2016

Sculptures and intricate mosaics are seen inside the workroom of archeology Nafez Abed, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and The old money and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods . It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real. Picture taken

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#1043279

9 February 2016

Sculptures and intricate mosaics are seen inside the workroom of archeology Nafez Abed, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real.

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#1043280

9 February 2016

Sculptures and intricate mosaics are seen inside the workroom of archeology Nafez Abed, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real.

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Commercial use is not permitted without prior authorization.
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#1043281

9 February 2016

Sculptures and intricate mosaics are seen inside the workroom of archeology Nafez Abed, at Shati refugee camp in Gaza City, Nafez Abed's cramped workroom is filled with sculptures and intricate mosaics decorated with patterns from the Byzantine, Greek and Roman periods. It is an emporium of Middle Eastern antiquity tucked away in Gaza. And none of it is real.

Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.