"parallel count"

#4002800

16 Mar 2019

On the occasion of Act 18 the Yellow Vests (gilets jaunes) had called to converge mass on Paris on March 16, 2019 to launch "an ultimatum to Macron" the day after the closure of consultations for the Great Debate organized by the executive to try to provide answers to this social crisis that has shaken the country since 17 November. But after four months of mobilization, their main demands (Citizen Initiative-RIC referendum, restoration of the ISF, lower taxes on basic necessities) were swept by the government. Worse, the price of fuel has returned to the same level that triggered the movement. The protesters also contest the vote on the "anti-thugs" law, which violates the right to protest. In parallel, two other events (the "March of the Century" for the Climate and the "Solidarity Walk" against police violence and "state racism") were taking place at the same time in Paris, the various processions having more or less aggregated during the day. In this context, thousands of people demonstrated in the streets of the capital this Saturday Among them many radical elements forming a "black bloc" violently met the police in the district of Champs-Élysées and street furniture and shops and restaurants (including Fouquet's) on the avenue.

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#4002664

16 Mar 2019

The restaurant Foucquet's was targeted by the thieves on the occasion of Act 18 the Yellow Vests (gilets jaunes) had called to converge mass on Paris on March 16, 2019 to launch "an ultimatum to Macron" the day after the closure of consultations for the Great Debate organized by the executive to try to provide answers to this social crisis that has shaken the country since 17 November. But after four months of mobilization, their main demands (Citizen Initiative-RIC referendum, restoration of the ISF, lower taxes on basic necessities) were swept by the government. Worse, the price of fuel has returned to the same level that triggered the movement. The protesters also contest the vote on the "anti-thugs" law, which violates the right to protest. In parallel, two other events (the "March of the Century" for the Climate and the "Solidarity Walk" against police violence and "state racism") were taking place at the same time in Paris, the various processions having more or less aggregated during the day. In this context, thousands of people demonstrated in the streets of the capital this Saturday Among them many radical elements forming a "black bloc" violently met the police in the district of Champs-Élysées and street furniture and shops and restaurants (including Fouquet's) on the avenue.

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#4002668

16 Mar 2019

GLI-F4 grenade is seen on the occasion of Act 18 the Yellow Vests (gilets jaunes) had called to converge mass on Paris on March 16, 2019 to launch "an ultimatum to Macron" the day after the closure of consultations for the Great Debate organized by the executive to try to provide answers to this social crisis that has shaken the country since 17 November. But after four months of mobilization, their main demands (Citizen Initiative-RIC referendum, restoration of the ISF, lower taxes on basic necessities) were swept by the government. Worse, the price of fuel has returned to the same level that triggered the movement. The protesters also contest the vote on the "anti-thugs" law, which violates the right to protest. In parallel, two other events (the "March of the Century" for the Climate and the "Solidarity Walk" against police violence and "state racism") were taking place at the same time in Paris, the various processions having more or less aggregated during the day. In this context, thousands of people demonstrated in the streets of the capital this Saturday Among them many radical elements forming a "black bloc" violently met the police in the district of Champs-Élysées and street furniture and shops and restaurants (including Fouquet's) on the avenue.

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#3803056

13 Feb 2019

Maiken Caspersen Falla and Maja Dahlqvist compete in the Ladies’ FIS Cross-Country World Cup 6 x 1.4 km Team Sprint Classic Final at the Lahti Ski Games in Lahti, Finland on 10 February 2019.

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#3799858

12 Feb 2019

Venezuelan migrants rest as they walk on the road from Cucuta to Pamplona, in Norte de Santander Department, Colombia, on February 11, 2019. Opposition leader Juan Guaido, recognized by some 50 countries as Venezuela's interim president, warned the military Sunday that blocking humanitarian aid from entering the country is a "crime against humanity."

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#3776880

9 Feb 2019

West Bengal Chief Minister and All India Trinamool Congress Supremo Mamata Banerjee at the Press Conferences and hit out at Prime Minister Narendra Modi calling him "the master of corruption" and said that she supported the views of the Congress on the Rafale deal. She described Rafale deal as "one of the biggest scam of the country". "I do not know how much money changed hands or what had happened, but certainly there must be something behind the curtain. Rafale deal is a big scam and I support the Congress' views on it," Banerjee told a press conference after the conclusion of the Bengal Global Business Summit here. Earlier in the day, Congress president Rahul Gandhi had alleged that "the prime minister has stolen Rs 30,000 crore of your money, bypassed a process, and given it to his friend Mr Anil Ambani". He demanded answers to questions raised by a media report that the PMO conducted parallel negotiations on the Rafale deal, saying it is now "crystal clear" that the "watchman" is the "thief". Calling Modi as "Mr Maddy", Banerjee claimed that the country has not witnessed such a corrupt prime minister in its history. "The less we talk about this man (the prime minister) the better. Mr Maddy is the master of corruption. He is the master of arrogance and a shame for the country. I have no words to describe him. His standard is so low that we have never expected such a man to be the prime minister. We have respect for the chair but not for this man," she said.

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#3776876

9 Feb 2019

West Bengal Chief Minister and All India Trinamool Congress Supremo Mamata Banerjee at the Press Conferences and hit out at Prime Minister Narendra Modi calling him "the master of corruption" and said that she supported the views of the Congress on the Rafale deal. She described Rafale deal as "one of the biggest scam of the country". "I do not know how much money changed hands or what had happened, but certainly there must be something behind the curtain. Rafale deal is a big scam and I support the Congress' views on it," Banerjee told a press conference after the conclusion of the Bengal Global Business Summit here. Earlier in the day, Congress president Rahul Gandhi had alleged that "the prime minister has stolen Rs 30,000 crore of your money, bypassed a process, and given it to his friend Mr Anil Ambani". He demanded answers to questions raised by a media report that the PMO conducted parallel negotiations on the Rafale deal, saying it is now "crystal clear" that the "watchman" is the "thief". Calling Modi as "Mr Maddy", Banerjee claimed that the country has not witnessed such a corrupt prime minister in its history. "The less we talk about this man (the prime minister) the better. Mr Maddy is the master of corruption. He is the master of arrogance and a shame for the country. I have no words to describe him. His standard is so low that we have never expected such a man to be the prime minister. We have respect for the chair but not for this man," she said.

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#3776878

9 Feb 2019

West Bengal Chief Minister and All India Trinamool Congress Supremo Mamata Banerjee at the Press Conferences and hit out at Prime Minister Narendra Modi calling him "the master of corruption" and said that she supported the views of the Congress on the Rafale deal. She described Rafale deal as "one of the biggest scam of the country". "I do not know how much money changed hands or what had happened, but certainly there must be something behind the curtain. Rafale deal is a big scam and I support the Congress' views on it," Banerjee told a press conference after the conclusion of the Bengal Global Business Summit here. Earlier in the day, Congress president Rahul Gandhi had alleged that "the prime minister has stolen Rs 30,000 crore of your money, bypassed a process, and given it to his friend Mr Anil Ambani". He demanded answers to questions raised by a media report that the PMO conducted parallel negotiations on the Rafale deal, saying it is now "crystal clear" that the "watchman" is the "thief". Calling Modi as "Mr Maddy", Banerjee claimed that the country has not witnessed such a corrupt prime minister in its history. "The less we talk about this man (the prime minister) the better. Mr Maddy is the master of corruption. He is the master of arrogance and a shame for the country. I have no words to describe him. His standard is so low that we have never expected such a man to be the prime minister. We have respect for the chair but not for this man," she said.

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#3727228

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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#3727232

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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#3727234

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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#3727240

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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#3727242

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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#3727244

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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#3727246

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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#3727248

29 Jan 2019

Multimedia project Data Flux [12 XGA version] by Japanese artist Ryoji Ikeda at the Onassis Cultural Center in Athens, Greece on January 29, 2019. The Japanese artist presents an installation which challenges the limits of human perception and digital technology. With the precision of a metronome, twelve parallel video projectors synchronize with a minimalist electronic composition, turning numbers and data into the ultimate sensory experience for the visitor. Ryoji Ikeda uses the language and aesthetic of mathematics to compose countless sequential frames and pose experiential questions to the public about existence and transcendent identity.

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