"Austrian research"

#1544299

8 November 2016

‘Hybrids’ exhibition in Onassis Cultural Center in Athens, Greece, November 7, 2016. Technology, activism and pop culture proceed hand in hand in this new exhibition staged by the OCC in collaboration with Ars Electronica, the innovative research and new media cultural center from Linz, Austria. Hybrids explores the concept of hybridism, the mixing of different media and idioms to create new forms of artistic expression.

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#724515

8 August 2015

TEHRAN, IRAN - AUGUST 07: Dejan Kaludjerović’s first solo exhibition in Iran “Conversations – Iran” at the Sazmanab presents Six channel sound / site specific installation Sand Box from the series: Conversations: Hula-hoops, Elastics, Marbles and Sand. The “Conversations” series of site-specific installations is based on research and interviews with children in different countries (from 2013-present: Russia, Serbia, Azerbaijan; planned productions include: Iran, Austria, Italy, Romania, etc). The children, locals from each location, range from 7-10 years old and come from different ethnic, social and cultural backgrounds. Each installation is made in relation to the local site and based on specific and often universal children’s games which are accompanied by a sound piece emitted from 6–7 speakers (each speaker for the voice of one child). The children, interviewed individually, are then put into conversation with one another through the editing process, reacting within the installation to one another’s stances on political issues such as social exclusion and inclusion, foreigners, language, colonization, war, money, poverty, etc.

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#724518

8 August 2015

TEHRAN, IRAN - AUGUST 07: Dejan Kaludjerović’s first solo exhibition in Iran “Conversations – Iran” at the Sazmanab presents Six channel sound / site specific installation Sand Box from the series: Conversations: Hula-hoops, Elastics, Marbles and Sand. The “Conversations” series of site-specific installations is based on research and interviews with children in different countries (from 2013-present: Russia, Serbia, Azerbaijan; planned productions include: Iran, Austria, Italy, Romania, etc). The children, locals from each location, range from 7-10 years old and come from different ethnic, social and cultural backgrounds. Each installation is made in relation to the local site and based on specific and often universal children’s games which are accompanied by a sound piece emitted from 6–7 speakers (each speaker for the voice of one child). The children, interviewed individually, are then put into conversation with one another through the editing process, reacting within the installation to one another’s stances on political issues such as social exclusion and inclusion, foreigners, language, colonization, war, money, poverty, etc.

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#724521

8 August 2015

TEHRAN, IRAN - AUGUST 07: Dejan Kaludjerović’s first solo exhibition in Iran “Conversations – Iran” at the Sazmanab presents Six channel sound / site specific installation Sand Box from the series: Conversations: Hula-hoops, Elastics, Marbles and Sand. The “Conversations” series of site-specific installations is based on research and interviews with children in different countries (from 2013-present: Russia, Serbia, Azerbaijan; planned productions include: Iran, Austria, Italy, Romania, etc). The children, locals from each location, range from 7-10 years old and come from different ethnic, social and cultural backgrounds. Each installation is made in relation to the local site and based on specific and often universal children’s games which are accompanied by a sound piece emitted from 6–7 speakers (each speaker for the voice of one child). The children, interviewed individually, are then put into conversation with one another through the editing process, reacting within the installation to one another’s stances on political issues such as social exclusion and inclusion, foreigners, language, colonization, war, money, poverty, etc.

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#724523

8 August 2015

TEHRAN, IRAN - AUGUST 07: Dejan Kaludjerović’s first solo exhibition in Iran “Conversations – Iran” at the Sazmanab presents Six channel sound / site specific installation Sand Box from the series: Conversations: Hula-hoops, Elastics, Marbles and Sand. The “Conversations” series of site-specific installations is based on research and interviews with children in different countries (from 2013-present: Russia, Serbia, Azerbaijan; planned productions include: Iran, Austria, Italy, Romania, etc). The children, locals from each location, range from 7-10 years old and come from different ethnic, social and cultural backgrounds. Each installation is made in relation to the local site and based on specific and often universal children’s games which are accompanied by a sound piece emitted from 6–7 speakers (each speaker for the voice of one child). The children, interviewed individually, are then put into conversation with one another through the editing process, reacting within the installation to one another’s stances on political issues such as social exclusion and inclusion, foreigners, language, colonization, war, money, poverty, etc.

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#724525

8 August 2015

TEHRAN, IRAN - AUGUST 07: Dejan Kaludjerović’s first solo exhibition in Iran “Conversations – Iran” at the Sazmanab presents Six channel sound / site specific installation Sand Box from the series: Conversations: Hula-hoops, Elastics, Marbles and Sand. The “Conversations” series of site-specific installations is based on research and interviews with children in different countries (from 2013-present: Russia, Serbia, Azerbaijan; planned productions include: Iran, Austria, Italy, Romania, etc). The children, locals from each location, range from 7-10 years old and come from different ethnic, social and cultural backgrounds. Each installation is made in relation to the local site and based on specific and often universal children’s games which are accompanied by a sound piece emitted from 6–7 speakers (each speaker for the voice of one child). The children, interviewed individually, are then put into conversation with one another through the editing process, reacting within the installation to one another’s stances on political issues such as social exclusion and inclusion, foreigners, language, colonization, war, money, poverty, etc.

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#724527

8 August 2015

TEHRAN, IRAN - AUGUST 07: Dejan Kaludjerović’s first solo exhibition in Iran “Conversations – Iran” at the Sazmanab presents Six channel sound / site specific installation Sand Box from the series: Conversations: Hula-hoops, Elastics, Marbles and Sand. The “Conversations” series of site-specific installations is based on research and interviews with children in different countries (from 2013-present: Russia, Serbia, Azerbaijan; planned productions include: Iran, Austria, Italy, Romania, etc). The children, locals from each location, range from 7-10 years old and come from different ethnic, social and cultural backgrounds. Each installation is made in relation to the local site and based on specific and often universal children’s games which are accompanied by a sound piece emitted from 6–7 speakers (each speaker for the voice of one child). The children, interviewed individually, are then put into conversation with one another through the editing process, reacting within the installation to one another’s stances on political issues such as social exclusion and inclusion, foreigners, language, colonization, war, money, poverty, etc.

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#724529

8 August 2015

TEHRAN, IRAN - AUGUST 07: Dejan Kaludjerović’s first solo exhibition in Iran “Conversations – Iran” at the Sazmanab presents Six channel sound / site specific installation Sand Box from the series: Conversations: Hula-hoops, Elastics, Marbles and Sand. The “Conversations” series of site-specific installations is based on research and interviews with children in different countries (from 2013-present: Russia, Serbia, Azerbaijan; planned productions include: Iran, Austria, Italy, Romania, etc). The children, locals from each location, range from 7-10 years old and come from different ethnic, social and cultural backgrounds. Each installation is made in relation to the local site and based on specific and often universal children’s games which are accompanied by a sound piece emitted from 6–7 speakers (each speaker for the voice of one child). The children, interviewed individually, are then put into conversation with one another through the editing process, reacting within the installation to one another’s stances on political issues such as social exclusion and inclusion, foreigners, language, colonization, war, money, poverty, etc.

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