"metaphysical"

#2263834

15 October 2017

Artworks are seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263835

15 October 2017

Artworks are seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263838

15 October 2017

An artwork is seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263840

15 October 2017

An artwork is seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263841

15 October 2017

Traditional Turkish carpets are seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263842

15 October 2017

A man looks at artworks on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263844

15 October 2017

An artwork is seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263845

15 October 2017

An artwork is seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263846

15 October 2017

An artwork is seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263847

15 October 2017

An artwork is seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#2263848

15 October 2017

Artworks are seen on the closing day of the Ornamental DNA Exhibition in Ankara, Turkey on October 15, 2017. The exhibition presents a figurative and metaphorical point of view to the art and culture of ornamentation of Turkey and Ukraine. The exhibition is designed as an art project, which contains patterns and ornaments that constitute the codes of the Turkish and Ukrainian cultures. The exhibition is jointly organized by the Ukrainian Crisis Media Centre and the Turkish Embassy in Ukraine in collaboration with the Ukrainian Embassy in Turkey and the CerModern Arts Centre as part of the cultural diplomacy.

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#724564

8 August 2015

TEHRAN, IRAN - AUGUST 07: “Jabberwocky” group exhibition of international artists “Matthew Humphreys, Christine Kettaneh, Mira Avarzamani, Patricia Pisanelli, Nooshin Farhid, Jakob Rowlinson and Yi Dai.” in Ab/Anbar gallery. Jabberwocky |ˈdʒabəˌwɒki| is a nonsensical poem written by Lewis Carroll taken from his book, Through the Looking Glass, which was written in 1871 as a sequel to Alice in Wonderland. The plot centers on Alice's discovery of a book written in an intelligible language and today, Jabberwocky is lauded as one of the greatest nonsense poems ever written in the English language due to its playful, whimsical and witty use of words. Taking this poem as a point of departure, the exhibition Jabberwocky explores performativity of dialogue and language through the works of seven international artists. These artist's preoccupation with language position it as a self-analysing structure, a source of political, metaphysical and even sexual emancipation. Through a mix of high and low-brow culture, ribald humor and esoteric discourse, this exhibition also seeks to address 'the voice' as a political act whilst considering the materiality and origin of language, as well as transcultural and trans-disciplinary questions of language. Through a selection of sculptures, artist books, drawings, installations, performances, poetry and videos, spectators are able to experience the emotional, social and political potential of language and its cognition.

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#724565

8 August 2015

TEHRAN, IRAN - AUGUST 07: “Jabberwocky” group exhibition of international artists “Matthew Humphreys, Christine Kettaneh, Mira Avarzamani, Patricia Pisanelli, Nooshin Farhid, Jakob Rowlinson and Yi Dai.” in Ab/Anbar gallery. Jabberwocky |ˈdʒabəˌwɒki| is a nonsensical poem written by Lewis Carroll taken from his book, Through the Looking Glass, which was written in 1871 as a sequel to Alice in Wonderland. The plot centers on Alice's discovery of a book written in an intelligible language and today, Jabberwocky is lauded as one of the greatest nonsense poems ever written in the English language due to its playful, whimsical and witty use of words. Taking this poem as a point of departure, the exhibition Jabberwocky explores performativity of dialogue and language through the works of seven international artists. These artist's preoccupation with language position it as a self-analysing structure, a source of political, metaphysical and even sexual emancipation. Through a mix of high and low-brow culture, ribald humor and esoteric discourse, this exhibition also seeks to address 'the voice' as a political act whilst considering the materiality and origin of language, as well as transcultural and trans-disciplinary questions of language. Through a selection of sculptures, artist books, drawings, installations, performances, poetry and videos, spectators are able to experience the emotional, social and political potential of language and its cognition.

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#724566

8 August 2015

TEHRAN, IRAN - AUGUST 07: “Jabberwocky” group exhibition of international artists “Matthew Humphreys, Christine Kettaneh, Mira Avarzamani, Patricia Pisanelli, Nooshin Farhid, Jakob Rowlinson and Yi Dai.” in Ab/Anbar gallery. Jabberwocky |ˈdʒabəˌwɒki| is a nonsensical poem written by Lewis Carroll taken from his book, Through the Looking Glass, which was written in 1871 as a sequel to Alice in Wonderland. The plot centers on Alice's discovery of a book written in an intelligible language and today, Jabberwocky is lauded as one of the greatest nonsense poems ever written in the English language due to its playful, whimsical and witty use of words. Taking this poem as a point of departure, the exhibition Jabberwocky explores performativity of dialogue and language through the works of seven international artists. These artist's preoccupation with language position it as a self-analysing structure, a source of political, metaphysical and even sexual emancipation. Through a mix of high and low-brow culture, ribald humor and esoteric discourse, this exhibition also seeks to address 'the voice' as a political act whilst considering the materiality and origin of language, as well as transcultural and trans-disciplinary questions of language. Through a selection of sculptures, artist books, drawings, installations, performances, poetry and videos, spectators are able to experience the emotional, social and political potential of language and its cognition.

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#724567

8 August 2015

TEHRAN, IRAN - AUGUST 07: “Jabberwocky” group exhibition of international artists “Matthew Humphreys, Christine Kettaneh, Mira Avarzamani, Patricia Pisanelli, Nooshin Farhid, Jakob Rowlinson and Yi Dai.” in Ab/Anbar gallery. Jabberwocky |ˈdʒabəˌwɒki| is a nonsensical poem written by Lewis Carroll taken from his book, Through the Looking Glass, which was written in 1871 as a sequel to Alice in Wonderland. The plot centers on Alice's discovery of a book written in an intelligible language and today, Jabberwocky is lauded as one of the greatest nonsense poems ever written in the English language due to its playful, whimsical and witty use of words. Taking this poem as a point of departure, the exhibition Jabberwocky explores performativity of dialogue and language through the works of seven international artists. These artist's preoccupation with language position it as a self-analysing structure, a source of political, metaphysical and even sexual emancipation. Through a mix of high and low-brow culture, ribald humor and esoteric discourse, this exhibition also seeks to address 'the voice' as a political act whilst considering the materiality and origin of language, as well as transcultural and trans-disciplinary questions of language. Through a selection of sculptures, artist books, drawings, installations, performances, poetry and videos, spectators are able to experience the emotional, social and political potential of language and its cognition.

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#724568

8 August 2015

TEHRAN, IRAN - AUGUST 07: “Jabberwocky” group exhibition of international artists “Matthew Humphreys, Christine Kettaneh, Mira Avarzamani, Patricia Pisanelli, Nooshin Farhid, Jakob Rowlinson and Yi Dai.” in Ab/Anbar gallery. Jabberwocky |ˈdʒabəˌwɒki| is a nonsensical poem written by Lewis Carroll taken from his book, Through the Looking Glass, which was written in 1871 as a sequel to Alice in Wonderland. The plot centers on Alice's discovery of a book written in an intelligible language and today, Jabberwocky is lauded as one of the greatest nonsense poems ever written in the English language due to its playful, whimsical and witty use of words. Taking this poem as a point of departure, the exhibition Jabberwocky explores performativity of dialogue and language through the works of seven international artists. These artist's preoccupation with language position it as a self-analysing structure, a source of political, metaphysical and even sexual emancipation. Through a mix of high and low-brow culture, ribald humor and esoteric discourse, this exhibition also seeks to address 'the voice' as a political act whilst considering the materiality and origin of language, as well as transcultural and trans-disciplinary questions of language. Through a selection of sculptures, artist books, drawings, installations, performances, poetry and videos, spectators are able to experience the emotional, social and political potential of language and its cognition.

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