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"Eight Nights"
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#13289790
8 February 2026
Lauren Miller Rogen and husband Seth Rogen arrive at the 78th Annual Directors Guild Of America (DGA) Awards held at The Beverly Hilton Hotel on February 7, 2026 in Beverly Hills, Los Angeles, California, United States.
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#13289616
8 February 2026
Paul W. Downs arrives at the 78th Annual Directors Guild Of America (DGA) Awards held at The Beverly Hilton Hotel on February 7, 2026 in Beverly Hills, Los Angeles, California, United States.
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#13191211
13 January 2026
Michelle Rodriguez and Mohammed Al Turki arrive at the 83rd Annual Golden Globe Awards held at The Beverly Hilton Hotel on January 11, 2026 in Beverly Hills, Los Angeles, California, United States.
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Russian forces attack Zaporizhzhia with KAB bombs: dead and injured reported
21 November 2025
#13009730
21 November 2025
Market stalls burn after an airstrike carried out by Russian forces in the Shevchenkivskyi district of Zaporizhzhia, Ukraine, on November 21, 2025. A FAB bomb strikes the area around 22:00, killing five people and injuring eight. The strike causes extensive damage to market stalls, shops, and residential buildings
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#12945895
4 November 2025
Musicians perform during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. The drama retells the legend in which, after the loss of his brother Hiranyaksha, Hiranyakashyapu vows revenge on Lord Vishnu. Empowered by a boon from Brahma that he cannot be killed by man or animal, during day or night, on earth or in heaven, or by any weapon, he becomes a tyrant and forbids the worship of Vishnu. Bishnu Gaan's synchronized movements and chants symbolize divine presence and protection, celebrating the faithful Prahlad before Narsingh emerges, highlighting the triumph of good over evil.
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#12945899
4 November 2025
Performers dressed as BISHNU GAAN (celestial attendants of Lord Vishnu) perform during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. The drama retells the legend in which, after the loss of his brother HIRANYAKSHA, HIRANYAKASHYAPU vows revenge on Lord Vishnu. Empowered by a boon from Brahma that he cannot be killed by man or animal, during day or night, on earth or in heaven, or by any weapon, he becomes a tyrant and forbids the worship of Vishnu. BISHNU GAAN’s synchronized movements and chants symbolize divine presence and protection, celebrating the faithful PRAHLAD before NARSINGH emerges, highlighting the triumph of good over evil.
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#12945859
4 November 2025
Performers dressed as Daitya Gaan, followers of Hiranyakashyapu, perform during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. The drama depicts Hiranyakashyapu’s tyranny after he receives Brahma’s boon that he cannot be killed by man or animal, during day or night, on earth or in heaven, or by any weapon. The Daitya Gaan enact arrogance, chaos, and the rebellion of demons, creating tension that sets the stage for Narsingh’s arrival to rescue Prahlad and restore dharma.
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#12826584
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826585
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826586
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826587
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826588
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laugh, dance, and live with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826589
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826590
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826591
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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#12826592
3 October 2025
On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.
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