"Museum Collection"

#13814342

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814344

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814345

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814346

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814347

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814348

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814354

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814355

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814359

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13814361

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.

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#13798512

7 Jun 2026

An entrance gate to the courtyard of Czartoryski Palace and the MNK Czartoryski Museum is seen in Krakow, Poland, on May 21, 2026. The museum is a branch of the National Museum in Krakow and includes historic collections associated with the Czartoryski family.

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#13798509

7 Jun 2026

The Klasztorek building at Pijarska 6, part of the MNK Czartoryski Museum complex, is seen from Zaulek Ksiazat Czartoryskich in Krakow, Poland, on May 21, 2026. The Czartoryski Museum is a branch of the National Museum in Krakow and houses one of Poland's most important historic art collections.

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#13781223

3 Jun 2026

The historic Main Post Office building, housing the Museum of Post and Telecommunications, is seen in Wroclaw, Poland, on May 27, 2026.

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#13781508

3 Jun 2026

A collection of vintage wooden skis is displayed on a wall rack inside the Scuola di Barbiana museum in Barbiana, Vicchio, Tuscany, Italy, on April 7, 2026. The skis, used by students and the local rural community in the Mugello hills, are among the everyday objects preserved at the school founded and led by Don Lorenzo Milani. A black-and-white portrait photograph of an unidentified man wearing a hat is mounted on the wall above the rack.

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#13658432

3 May 2026

The main facade and entrance of the Museum of Fine Arts (Szepmuveszeti Muzeum) are seen on Heroes' Square in Budapest, Hungary, on April 10, 2026.

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#13658450

3 May 2026

The main facade and entrance of the Museum of Fine Arts (Szepmuveszeti Muzeum) are seen on Heroes' Square in Budapest, Hungary, on April 10, 2026.

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