"One Good Thing"

#11355974

24 Jun 2024

Matthew Holmes from One Good Thing Orientation Marketing and other male riders are powering up Saltburn bank during the British National Road Cycling Championships in Saltburn by the Sea, Cleveland, England, on June 23, 2024.

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#2978284

26 Jul 2018

Eugenio Prieto "SINÍN". This man is the owner of one of the more personal and peculiar bars along the Camino. Situated in Reliegos is the bar 'La Torre' or Elvis bar as everyone knows it. The first thing that calls my attention is, that absolutely the whole inside of the bar is covering with texts written on the walls, doors, even on the windows. It was he himself, in fact, who gave a permanent marker and told me ' write whatever you want wherever you want, pick a good place'. Sinin seemed like such an extremely nice person when he realized I was limping, he offered me Alcohol of Rosemary telling me 'This cures all, take it and try it'.

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#1563912

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563913

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563914

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563915

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563916

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563917

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563918

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563919

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563920

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563921

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563922

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563923

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563924

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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#1563925

20 Nov 2016

Rifaiah Batik is one of the motives that characterize the community Rifa'iyah in Batang, Central Java, Indonesia on 20 November 2016. Rifa'iyah title is taken from a cleric named KH Ahmad Rifai. Rifa'iyah are institutions or organizations that exist around 1876. Community Rifa'iyah make batik with the concept of the three countries that actually means three things, namely monotheism, tasawwuf, and ushulfiqih. Batik Rifa'iyah a strong influence of Islam, which is displayed in motif and pattern. However, Batik Rifa'iyah has a value of extraordinary works of art. Batik Rifa'iyah made in the form of long cloth, gloves, and scarves which functioned as a cover nakedness. For rifa'iyah community, batik is not a foreign activity. They have been working on batik activities since childhood. As a religious community with their batik activity, Rifaiah people belief that modernization is not affected them as they are not accepting television at their house because they belief what happen in television is not good for them, that is why Batik process for them especially the women is a way to spent the days with good benefit.

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