"ceramic ware"

#12317288

29 April 2025

A market stall displays a wide variety of porcelain and ceramic cups, plates, teapots, and kitchenware for sale at the Auer Dult traditional fair in Munich, Germany, on April 29, 2025. This type of vendor is typical for the fair's market section, where household goods and crafts are offered alongside antiques and collectibles.

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#11911813

3 January 2025

KRAKOW, POLAND - DECEMBER 23: A shop showcasing Boleslawiec porcelain products, on December 23, 2024 in Krakow, Poland.

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#11110213

31 March 2024

A Central Asian freight train is leaving Nanchang International Dry Port for five Central Asian countries, including Kazakhstan, loaded with refrigerators, coffee makers, ceramic sanitary ware, and other daily necessities in Nanchang, China, on March 31, 2024.

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#11110214

31 March 2024

A Central Asian freight train is leaving Nanchang International Dry Port for five Central Asian countries, including Kazakhstan, loaded with refrigerators, coffee makers, ceramic sanitary ware, and other daily necessities in Nanchang, China, on March 31, 2024.

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#11110215

31 March 2024

A Central Asian freight train is leaving Nanchang International Dry Port for five Central Asian countries, including Kazakhstan, loaded with refrigerators, coffee makers, ceramic sanitary ware, and other daily necessities in Nanchang, China, on March 31, 2024.

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#11110216

31 March 2024

A Central Asian freight train is leaving Nanchang International Dry Port for five Central Asian countries, including Kazakhstan, loaded with refrigerators, coffee makers, ceramic sanitary ware, and other daily necessities in Nanchang, China, on March 31, 2024.

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#11110217

31 March 2024

A Central Asian freight train is leaving Nanchang International Dry Port for five Central Asian countries, including Kazakhstan, loaded with refrigerators, coffee makers, ceramic sanitary ware, and other daily necessities in Nanchang, China, on March 31, 2024.

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#10577774

1 October 2023

CHONGQING, CHINA - OCTOBER 1, 2023 - A worker checks the quality of wine jars at a ceramic company in Chongqing, China, October 1, 2023.

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#10577784

1 October 2023

CHONGQING, CHINA - OCTOBER 1, 2023 - A worker checks the quality of wine jars at a ceramic company in Chongqing, China, October 1, 2023.

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#10252412

10 July 2023

A bronze earthen head of a Warring States elephant on display at the Hami Museum in Hami, Xinjiang province, China, June 11, 2023. 145 pieces/sets of fine cultural relics from Sichuan Guanghan Sanxingdui Museum, Chengdu Jinsha Site Museum, Sichuan Museum and other cultural and cultural institutions entered the Hami Museum, including gold products, bronze statues, jade stone tools, picture bricks, etc., a complete presentation of the ancient Shu civilization.

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#10252416

10 July 2023

A hunting pattern copper kettle is displayed at the Hami Museum in Hami, Xinjiang province, China, June 11, 2023. 145 pieces/sets of fine cultural relics from Sichuan Guanghan Sanxingdui Museum, Chengdu Jinsha Site Museum, Sichuan Museum and other cultural and cultural institutions entered the Hami Museum, including gold products, bronze statues, jade stone tools, picture bricks, etc., a complete presentation of the ancient Shu civilization.

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#9814926

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814928

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814930

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814932

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814934

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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