"dancing with passion"

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12 February 2026

(FILE) James Van Der Beek Dead At 48. 'Dawson's Creek' star James Van Der Beek dies at 48 on Wednesday, February 11, 2026, following years-long battle with colorectal cancer. LOS ANGELES, CALIFORNIA, USA - NOVEMBER 03: American actor James Van Der Beek arrives at ABC's 'Dancing With The Stars' Season 28 Top Six Finalists Party held at Dominique Ansel at The Grove on November 4, 2019 in Los Angeles, California, United States.

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#12826584

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826585

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826586

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826587

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826588

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laugh, dance, and live with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826589

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826590

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826591

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826592

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826601

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826602

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826603

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826604

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826605

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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#12826606

3 October 2025

On October 3, 2025, in Madrid, Spain, the Casa de México Foundation presents the eighth edition of its renowned Día de Muertos altar. This year’s installation, titled Cabaret El Recuerdo, transforms the tradition into a homage to the golden age of Mexican cabaret—a world shaped by the elegance of early 20th-century nightlife and the influence of European, particularly French and German, cabarets. Designed and coordinated by architect and designer Guillermo González, the altar becomes a stage where memory, music, and spirit intertwine. It features three pieces of folk art: catrina vedettes crafted in traditional papier-mâché, a tzompantli made of acrylic skulls, and blown-glass spheres. Each element conjures the presence of souls who once laughed, danced, and lived with passion—reminding us that life, like a cabaret, must be lived singing, dancing, and loving until the final curtain call.

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