"hangul"

#11153128

16 April 2024

Workers are conducting the annual cleaning operation on the bronze statue of Sejong the Great at Gwanghwamun Square in Seoul, South Korea, on April 16, 2024.

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#11153129

16 April 2024

Workers are conducting the annual cleaning operation on the bronze statue of Sejong the Great at Gwanghwamun Square in Seoul, South Korea, on April 16, 2024.

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#9814926

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814928

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814930

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814932

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814934

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814948

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814956

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814958

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814960

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814962

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814964

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814966

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814968

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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#9814970

27 March 2023

This is an old Japanese technique of making for the Japanese Tea Ceremony. The host and the guests alike would design and from the dishes and cups for their Enjoyment Ceremony. This ritual was part of their social contact and a way of communication among themselves. The same feelings are experienced today when in contact with Raku ware. The forms are uninhibited and natural, while still being robust and simple without appendages so that they are resistant to thermal shock. They fired on an open fire not exceeding 1000?C. The ceramics are taken out of the kiln at this temperature, and this is how the cracking is created. Due to this fact, Raku ceramics are not for water use. The clay remains porous and receptive to the magical absorption of smoke after it has been adorned with crystallized glass colored with metallic acids. The presence of silver nitrate make the random, uncontrolled striations that are characteristic of Raku. Even though Raku was used as a form of expression it also has the ability to be used to satisfy modern demands and applications, as microsculptures , drown wall hanglings and big flat items.

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