"post-colonialism"

#11265572

23 May 2024

Members from 52 women's rights organizations, including Transformative Women's Movement Network Bread and Roses, Fire Feminist Action, and Human Rights Movement Network Wind, are holding a press conference in front of the Israeli Embassy in Seoul, South Korea, on May 23, 2024.

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#11265574

23 May 2024

Members from 52 women's rights organizations, including Transformative Women's Movement Network Bread and Roses, Fire Feminist Action, and Human Rights Movement Network Wind, are holding a press conference in front of the Israeli Embassy in Seoul, South Korea, on May 23, 2024.

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#11265575

23 May 2024

Members from 52 women's rights organizations, including Transformative Women's Movement Network Bread and Roses, Fire Feminist Action, and Human Rights Movement Network Wind, are holding a press conference in front of the Israeli Embassy in Seoul, South Korea, on May 23, 2024.

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#11265576

23 May 2024

Members from 52 women's rights organizations, including Transformative Women's Movement Network Bread and Roses, Fire Feminist Action, and Human Rights Movement Network Wind, are holding a press conference in front of the Israeli Embassy in Seoul, South Korea, on May 23, 2024.

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#11265577

23 May 2024

Members from 52 women's rights organizations, including Transformative Women's Movement Network Bread and Roses, Fire Feminist Action, and Human Rights Movement Network Wind, are holding a press conference in front of the Israeli Embassy in Seoul, South Korea, on May 23, 2024.

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#11138871

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Clive”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138872

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member stands among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138873

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: Staff members stand among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138875

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member stands among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138876

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Queen Victoria”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138861

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member stands among “Decolonised Structures” (2022-23) comprised of seven fibreglass sculptures of colonial figures such as Queen Victoria and Winston Churchill, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138862

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: Tamsin Hong, exhibitions curator, looks at "Wind Sculpture in Bronze, IV, 2024, during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138864

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138865

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at “Churchill”, “Decolonised Structures ” (2022-23) comprised of seven fibreglass sculptures of colonial figures, hand-painted with Dutch wax pattern during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138866

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A visitor takes a picture of new large-scale installation titled “War Library” (2024) consisting of 5,000 books bound in Dutch wax print representing conflicts and peace treaties during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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#11138868

11 April 2024

LONDON, UNITED KINGDOM - APRIL 11, 2024: A staff member looks at a new large-scale installation titled “War Library” (2024) consisting of 5,000 books bound in Dutch wax print representing conflicts and peace treaties during a photocall for Yinka Shonibare's "Suspended States" exhibition at Serpentine South in London, United Kingdom on April 11, 2024. The first solo exhibition of Shonibare’s work in a London public institution for over 20 years explores central themes of legacies of colonial power, sites of refuge and shelter as well as the ecological impact of colonisation, the European legacy of imperialism and consequential attempts at peace.

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