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Shreyanka Patil of India attempts a reverse sweep during the ICC Women's T20 Cricket World Cup Group 1 match between India and Pakistan at E... Editorial
India v Pakistan - ICC Women's T20 World Cup England & Wales 2026
14 Jun 2026 · Birmingham, United Kingdom
#13831212
Shreyanka Patil of India attempts a reverse sweep during the ICC Women's T20 Cricket World Cup Group 1 match between India and Pakistan at E...

#13831212

14 Jun 2026

Shreyanka Patil of India attempts a reverse sweep during the ICC Women's T20 Cricket World Cup Group 1 match between India and Pakistan at Edgbaston Cricket Ground in Birmingham, United Kingdom, on June 14, 2026.


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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814342
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814342

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814344
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814344

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814345
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814345

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814346
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814346

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814347
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814347

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814348
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814348

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814354
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814354

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.


The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814355
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814355

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
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The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814359
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814359

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
Please contact us for more information.


The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of... Editorial
Antonello da Messina's Ecce Homo finds a home in L'Aquila
11 Jun 2026 · L'Aquila, Italy
#13814361
The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of...

#13814361

11 Jun 2026

The work Ecce Homo arrives from Rome in a secure crate at the National Museum of Abruzzo (MuNDA) in L'Aquila, Italy, on June 9, 2026. One of the most significant masterpieces of the Italian Renaissance has been permanently added to the museum's collection. Antonello da Messina's Ecce Homo, recently acquired by Italy's Ministry of Culture, was unveiled at MuNDA, housed in the 16th-century Spanish Fortress, during the year in which L'Aquila is celebrating its designation as Italy's Capital of Culture 2026. Dating to the 15th century, the painting is considered one of the most intense examples of Antonello's work, reflecting the artist's ability to blend Italian artistic traditions with influences from Flemish painting. The rare double-sided panel depicts the dramatic face of Christ on the front and a penitent Saint Jerome set against a Northern European-style landscape on the reverse. Following an exhibition at the Italian Senate and a programme of analysis and restoration carried out by the Central Institute for Restoration, the work has found a permanent home in the museum's gallery dedicated to 15th-century art.


Restricted to Editorial Use Only.
Commercial use is not permitted without prior authorization.
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Ethan Brookes of Worcestershire County Cricket Club reverse sweeps the ball to the boundary for four runs during the Vitality T20 Blast matc... Editorial
Worcestershire Rapids v Glamorgan - Vitality T20 Blast
5 Jun 2026 · Worcester, United Kingdom
#13789717
Ethan Brookes of Worcestershire County Cricket Club reverse sweeps the ball to the boundary for four runs during the Vitality T20 Blast matc...

#13789717

5 Jun 2026

Ethan Brookes of Worcestershire County Cricket Club reverse sweeps the ball to the boundary for four runs during the Vitality T20 Blast match between Worcestershire Rapids and Glamorgan at Visit Worcestershire New Road, Worcester, on June 5, 2026.


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Two Greenpeace campaign postcards are displayed on a dark table at the GEA 2076 - Ricordi dal futuro installation on May 23, 2026, in Bari,... Editorial
GEA 2076 Ricordi Dal Futuro - Greenpeace Italia Climate Installation, Bari, Italy, May 2026
3 Jun 2026 · Bari, Italy
#13780094
Two Greenpeace campaign postcards are displayed on a dark table at the GEA 2076 - Ricordi dal futuro installation on May 23, 2026, in Bari,...

#13780094

3 Jun 2026

Two Greenpeace campaign postcards are displayed on a dark table at the GEA 2076 - Ricordi dal futuro installation on May 23, 2026, in Bari, Italy. The front card reads ''Ridateci il futuro!'' (Give Us Back the Future!) and depicts an oil-covered hand, while the reverse reads ''Siamo ancora in tempo'' (We Are Still in Time) over an aerial image of the Amazon rainforest. The postcards are part of an engagement activity within the installation created by artist Alessandro Calizza for Greenpeace Italia, inviting visitors to address messages regarding the climate crisis.


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Amy Jones of England reverse sweeps the ball for 4 runs during the second IT20 match between England Women and India at Seat Unique Stadium... Editorial
England v India - 2nd Women's Vitality IT20
30 May 2026 · Bristol, United Kingdom
#13766363
Amy Jones of England reverse sweeps the ball for 4 runs during the second IT20 match between England Women and India at Seat Unique Stadium...

#13766363

30 May 2026

Amy Jones of England reverse sweeps the ball for 4 runs during the second IT20 match between England Women and India at Seat Unique Stadium in Bristol, England, on May 30, 2026.


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Richa Ghosh of India watches as Alice Capsey of England is bowled by Shreyanka Patil while attempting a reverse sweep during the Second IT20... Editorial
England v India - 2nd Women's Vitality IT20
30 May 2026 · Bristol, United Kingdom
#13766379
Richa Ghosh of India watches as Alice Capsey of England is bowled by Shreyanka Patil while attempting a reverse sweep during the Second IT20...

#13766379

30 May 2026

Richa Ghosh of India watches as Alice Capsey of England is bowled by Shreyanka Patil while attempting a reverse sweep during the Second IT20 match between England Women and India at Seat Unique Stadium in Bristol, England, on May 30, 2026.


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Nepali lawyers stage a daytime lantern protest against the Supreme Court of Nepal administration's refusal to register writ petitions and ap... Editorial
Lawyers In Nepal Stage Protest In Kathmandu
19 May 2026 · Kathmandu, Nepal
#13723754
Nepali lawyers stage a daytime lantern protest against the Supreme Court of Nepal administration's refusal to register writ petitions and ap...

#13723754

19 May 2026

Nepali lawyers stage a daytime lantern protest against the Supreme Court of Nepal administration's refusal to register writ petitions and applications in Kathmandu, Nepal, on May 19, 2026. Legal professionals gather at the premises of the Nepal Bar Association to demonstrate. The Bar Association states the protest aims to seek justice, fairness, and clean legal procedures. The association claims that the court administration's actions have undermined citizens' constitutional right to justice and the rule of law. Lawyers also warn that if the Supreme Court administration does not reverse its decision and simplify the registration process, they will intensify their protest movement.


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