"vishnu"

#13041226

30 November 2025

Girls from the Newa community take part in the Bel Bibaha ceremony, in which they are symbolically married to a bael fruit (wood apple), at Banglamukhi Temple in Lalitpur, Nepal, on November 29, 2025. The ritual is performed for girls aged between 5 and 9 years, typically before they reach puberty. The ceremony, also called the Ihi ceremony, is rooted in Hindu and Tantric traditions and serves to protect girls from social stigma, especially widowhood. The fruit symbolizes the god Vishnu, ensuring the girl is symbolically married to a divine entity for life.

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#13041227

30 November 2025

Girls from the Newa community take part in the Bel Bibaha ceremony, in which they are symbolically married to a bael fruit (wood apple), at Banglamukhi Temple in Lalitpur, Nepal, on November 29, 2025. The ritual is performed for girls aged between 5 and 9 years, typically before they reach puberty. The ceremony, also called the Ihi ceremony, is rooted in Hindu and Tantric traditions and serves to protect girls from social stigma, especially widowhood. The fruit symbolizes the god Vishnu, ensuring the girl is symbolically married to a divine entity for life.

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#13041228

30 November 2025

Girls from the Newa community take part in the Bel Bibaha ceremony, in which they are symbolically married to a bael fruit (wood apple), at Banglamukhi Temple in Lalitpur, Nepal, on November 29, 2025. The ritual is performed for girls aged between 5 and 9 years, typically before they reach puberty. The ceremony, also called the Ihi ceremony, is rooted in Hindu and Tantric traditions and serves to protect girls from social stigma, especially widowhood. The fruit symbolizes the god Vishnu, ensuring the girl is symbolically married to a divine entity for life.

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#13041229

30 November 2025

Girls from the Newa community take part in the Bel Bibaha ceremony, in which they are symbolically married to a bael fruit (wood apple), at Banglamukhi Temple in Lalitpur, Nepal, on November 29, 2025. The ritual is performed for girls aged between 5 and 9 years, typically before they reach puberty. The ceremony, also called the Ihi ceremony, is rooted in Hindu and Tantric traditions and serves to protect girls from social stigma, especially widowhood. The fruit symbolizes the god Vishnu, ensuring the girl is symbolically married to a divine entity for life.

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#13041230

30 November 2025

Girls from the Newa community take part in the Bel Bibaha ceremony, in which they are symbolically married to a bael fruit (wood apple), at Banglamukhi Temple in Lalitpur, Nepal, on November 29, 2025. The ritual is performed for girls aged between 5 and 9 years, typically before they reach puberty. The ceremony, also called the Ihi ceremony, is rooted in Hindu and Tantric traditions and serves to protect girls from social stigma, especially widowhood. The fruit symbolizes the god Vishnu, ensuring the girl is symbolically married to a divine entity for life.

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#13041231

30 November 2025

Girls from the Newa community take part in the Bel Bibaha ceremony, in which they are symbolically married to a bael fruit (wood apple), at Banglamukhi Temple in Lalitpur, Nepal, on November 29, 2025. The ritual is performed for girls aged between 5 and 9 years, typically before they reach puberty. The ceremony, also called the Ihi ceremony, is rooted in Hindu and Tantric traditions and serves to protect girls from social stigma, especially widowhood. The fruit symbolizes the god Vishnu, ensuring the girl is symbolically married to a divine entity for life.

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#12945899

4 November 2025

Performers dressed as BISHNU GAAN (celestial attendants of Lord Vishnu) perform during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. The drama retells the legend in which, after the loss of his brother HIRANYAKSHA, HIRANYAKASHYAPU vows revenge on Lord Vishnu. Empowered by a boon from Brahma that he cannot be killed by man or animal, during day or night, on earth or in heaven, or by any weapon, he becomes a tyrant and forbids the worship of Vishnu. BISHNU GAAN’s synchronized movements and chants symbolize divine presence and protection, celebrating the faithful PRAHLAD before NARSINGH emerges, highlighting the triumph of good over evil.

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#12945860

4 November 2025

PRAHLAD, the son of HIRANYAKASHYAPU, performs during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. The drama retells the legend in which HIRANYAKASHYAPU becomes a tyrant after receiving Brahma’s boon. Despite his father’s attempts to kill him, PRAHLAD grows up as a devout follower of Lord Vishnu. His performance depicts unwavering faith and moral courage, highlighting the triumph of devotion against tyranny before NARSINGH intervenes.

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#12945868

4 November 2025

NARSINGH performs a ritual dance during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. Lord Vishnu appears in half-man, half-lion form to protect PRAHLAD and destroy HIRANYAKASHYAPU without violating Brahma’s boon. The movements symbolize divine power, cosmic justice, and the triumph of good over evil, forming the climax of the ten-day traditional dance-drama.

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#12945870

4 November 2025

NARSINGH performs a ritual dance during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. Lord Vishnu appears in half-man, half-lion form to protect PRAHLAD and destroy HIRANYAKASHYAPU without violating Brahma’s boon. The movements symbolize divine power, cosmic justice, and the triumph of good over evil, forming the climax of the ten-day traditional dance-drama.

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#12945873

4 November 2025

NARSINGH performs a ritual dance during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. Lord Vishnu appears in half-man, half-lion form to protect PRAHLAD and destroy HIRANYAKASHYAPU without violating Brahma’s boon. The movements symbolize divine power, cosmic justice, and the triumph of good over evil, forming the climax of the ten-day traditional dance-drama.

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#12945895

4 November 2025

Musicians perform during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. The drama retells the legend in which, after the loss of his brother Hiranyaksha, Hiranyakashyapu vows revenge on Lord Vishnu. Empowered by a boon from Brahma that he cannot be killed by man or animal, during day or night, on earth or in heaven, or by any weapon, he becomes a tyrant and forbids the worship of Vishnu. Bishnu Gaan's synchronized movements and chants symbolize divine presence and protection, celebrating the faithful Prahlad before Narsingh emerges, highlighting the triumph of good over evil.

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#12945905

4 November 2025

The gurus of Hiranyakashyapu teach hymns to Prahlad during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. Despite their instruction, Prahlad refuses to obey because of his devotion to Lord Vishnu. This performance emphasizes the conflict between worldly authority and divine devotion, and Prahlad's unwavering faith before Narsingh arrives.

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#12945907

4 November 2025

PRAHLAD, the son of HIRANYAKASHYAPU, is tied to a pillar during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. This scene depicts his punishment for worshipping Vishnu against his father’s command. Moments later, NARSINGH emerges from the pillar at twilight to rescue him and slay HIRANYAKASHYAPU, symbolizing the victory of dharma.

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#12945916

4 November 2025

NARSINGH performs a ritual dance during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. Lord Vishnu appears in half-man, half-lion form to protect PRAHLAD and destroy HIRANYAKASHYAPU without violating Brahma’s boon. The movements symbolize divine power, cosmic justice, and the triumph of good over evil, forming the climax of the ten-day traditional dance-drama.

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#12945922

4 November 2025

NARSINGH touches and kills HIRANYAKASHYAPU during the eighth day of the Kartik Naach at Kartik Dabali, Patan Durbar Square, in Patan, Nepal, on November 3, which extends into November 4. Lord Vishnu, in his half-man, half-lion form, emerges from the pillar at twilight to protect his devotee PRAHLAD. Using his divine strength and claws, NARSINGH strikes down the tyrant king, fulfilling Brahma’s boon while restoring dharma. The scene symbolizes the triumph of good over evil and forms the climax of the ten-day traditional dance-drama dating back to the 17th-century Malla period.

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